Sacred Geometry
Sacred
Geometry  the architecture of GOD. The universe is
created by a consciousness which manifests in physical
reality through a blueprint that we call Sacred Geometry which repeats over and over giving the illusion of
linear time. This was created by THOTH.
Thoth was the wisest of the Egyptian gods.
Thoth was usually depicted with the head of an
Ibis.
He was the Scribe who wrote the story of
our Reality
then placed it into grids for us to
experience and learn. 

He was also
called the God of the Moon.
He created
everything.

According to Thoth, the Great Pyramid and all of the
sacred sites in Egypt were built following the
geometries of the human body. The name Thoth means
'Truth' and 'Time'. Thoth was the Master architect who
created the blueprint of our reality based on the
mathematics of sacred geometry.
Anywhere in this cosmos, the Circle, Triangle,
Square, Hexagon, etc. remain the same unchanging
archetypes. Worlds turn in this, and the galaxies spin
because of it, sacred geometry.
This is pure universal truth springing directly from
God Mind. The perfect and timeless realities of geometry
are THE fundamental concepts of the universe; THE first
archetypes. This is literaly, The Architecture Of The
Universe, sacred geometry.
The contemplation of God's Sacred Geometry has been
eternally observed as a legitimate path of enlightenment, both scientific and spiritual. Studying
the natural unfolding of the geometric archetypes aligns
our human consciousness to the infinite and the eternal.
In these studies and meditations we begin to see the way
of things....the true nature of the universe.
In nature, we find patterns, Sacred Geometry, designs
and structures from the most minuscule particles, to
expressions of life discernible by human eyes, to the
greater cosmos. These inevitably follow geometrical
archetypes, which reveal to us the nature of each form
and its vibrational resonances. They are also symbolic
of the underlying metaphysical principle of the
inseparable relationship of the part to the whole. It is
this principle of oneness underlying all geometry that
permeates the architecture of all form in its myriad
diversity. This principle of interconnectedness,
inseparability and union provides us with a continuous
reminder of our relationship to the whole, a blueprint
for the mind to the sacred foundation of all things
created, thus Sacred Geometry.
The Sphere
Starting with what may be the simplest and most
perfect of forms, the sphere is an ultimate expression
of unity, completeness, and integrity. There is no point
of view given greater or lesser importance, and all
points on the surface are equally accessible and
regarded by the center from which all originate. Atoms,
cells, seeds, planets, and globular star systems all
echo the spherical paradigm of total inclusion,
acceptance, simultaneous potential and fruition, the
macrocosm and microcosm, sacred geometry.
The Circle
The circle is a
twodimensional shadow of the sphere which is regarded
throughout cultural history as an icon of the ineffable
oneness; the indivisible fulfillment of the Universe.
All other symbols and geometries reflect various aspects
of the profound and consummate perfection of the circle,
sphere and other higher dimensional forms of these we
might imagine, sacred geometry.
The ratio of the circumference of a circle to its
diameter, Pi, is the original transcendental and
irrational number. (Pi equals about
3.14159265358979323846264338327950288419716939937511...)
It cannot be expressed in terms of the ratio of two
whole numbers, or in the language of sacred symbolism,
the essence of the circle exists in a dimension that
transcends the linear rationality that it contains. Our
holistic perspectives, feelings and intuitions encompass
the finite elements of the ideas that are within them,
yet have a greater wisdom than can be expressed by those
ideas alone, sacred geometry.
The Point
At the center of a
circle or a sphere is always an infinitesimal point. The
point needs no dimension, yet embraces all dimension.
Transcendence of the illusions of time & space
result in the point of here and now, our most primal
light of consciousness. The proverbial "light at the end
of the tunnel" is being validated by the everincreasing
literature on socalled "neardeath experiences". If our
essence is truly spiritual omnipresence, then perhaps
the "point" of our being "here" is to recognize the
oneness we share, validating all "individuals" as
equally precious and sacred aspects of that one, sacred
geometry.
Life itself as we know it is inextricably interwoven
with geometric forms, from the angles of atomic bonds in
the molecules of the amino acids, to the helical spirals
of DNA, to the spherical prototype of the cell, to the
first few cells of an organism which assume vesical,
tetrahedral, and star (double) tetrahedral forms prior
to the diversification of tissues for different
physiological functions. Our human bodies on this planet
all developed with a common geometric progression from
one to two to four to eight primal cells and beyond,
sacred geometry.
Almost everywhere we look, the mineral intelligence
embodied within crystalline structures follows a
geometry unfaltering in its exactitude. The lattice
patterns of crystals all express the principles of
mathematical perfection and repetition of a fundamental
essence, each with a characteristic spectrum of
resonances defined by the angles, lengths and relational
orientations of its atomic components, sacred geometry.
The Square Root of Two
The square root of 2 embodies a profound principle of
the whole being more than the sum of its parts. (The
square root of two equals about 1.414213562...) The
orthogonal dimensions (axes at right angles) form the
conjugal union of the horizontal and vertical which give
birth to the greater offspring of the hypotenuse. The
new generation possesses the capacity for synthesis,
growth, integration and reconciliation of polarities by
spanning both perspectives equally. The root of two
originating from the square leads to a greater unity, a
higher expression of its essential truth, faithful to
its lineage, Sacred Geometry.
The fact that the root is irrational expresses the
concept that our higher dimensional faculties can't
always necessarily be expressed in lower order
dimensional terms  e.g. "And the light shineth in
darkness; and the darkness comprehended it not." (from
the Gospel of St. John, Chapter 1, verse 5). By the same
token, we have the capacity to surpass the genetically
programmed limitations of our ancestors, if we can shift
into a new frame of reference (i.e. neutral with respect
to prior axes, yet formed from that matrixseed
conjugation. Our dictionary refers to the word matrix
both as a womb and an array (or grid lattice). Our
language has some wonderful builtin metaphors if we
look for them!
The Golden Ratio
The golden ratio (a.k.a. phi ratio a.k.a. sacred cut
a.k.a. golden mean a.k.a. divine proportion) is another
fundamental measure that seems to crop up almost
everywhere, including crops. (The golden ratio is about
1.618033988749894848204586834365638117720309180...) The
golden ratio is the unique ratio such that the ratio of
the whole to the larger portion is the same as the ratio
of the larger portion to the smaller portion. As such,
it symbolically links each new generation to its
ancestors, preserving the continuity of relationship as
the means for retracing its lineage, sacred geometry.
The golden ratio has some unique properties and makes
some interesting appearances:
 phi = phi^2  1; therefore 1 + phi = phi^2; phi +
phi^2 = phi^3; phi^2 + phi^3= phi^4; ad infinitum.
 phi = (1 + square root(5)) / 2 from quadratic
formula, 1 + phi = phi^2
 phi = 1 + 1/(1 + 1/(1 + 1/(1 + 1/(1 + 1/(1 +
1/...)))))...
 phi = (sec 72)/2 =(csc 18)/2 = 1/(2 cos 72) = 1/(2
sin 18) = 2 sin 54 = 2 cos 36 = 2/(csc 54) = 2/ (sec
36) for all you trigonometry enthusiasts
 ratio of segments in 5pointed star (pentagram)
considered sacred to Plato & Pythagoras in their
mystery schools. Note that each larger (or smaller)
section is related by the phi ratio, so that a power
series of the golden ratio raised to successively
higher (or lower) powers is automatically generated:
phi, phi^2, phi^3, phi^4, phi^5, etc.
 phi = apothem to bisected base ratio in the Great
Pyramid of Giza
 phi = ratio of adjacent terms of the famous
Fibonacci Series evaluated at infinity; the Fibonacci
Series is a rather ubiquitous set of numbers that
begins with one and one and each term thereafter is
the sum of the prior two terms, thus:
1,1,2,3,5,8,13,21,34,55,89,144... (interesting that
the 12th term is 12 "raised to a higher power", which
appears prominently in a vast collection of
metaphysical literature)
I, Thoth The
Scribe,
who moves through many
realities as teacher.
I am linked to the Great
Pyramid as a creational force having
come here
through the Gates of the 12 Pyramid
Matrix.
Many will remember and quote my
teachings in texts,
scrolls, stone tablets,
keys of knowledge, or encoded
genetic memories
to be found at the end of a cycle.
I have
entrusted my original teachings to
those who
were my priests and priestesses
who must one
day restore this knowledge in
full definition.
At that time they shall incarnate
as the
teachers and healers of their timelines.
These
readings shall be found at the end of
a cycle
which transcends time and space.
And they shall
remember.
And I shall help and guide
them.
If you have come to this place you have
come to the
temple which will take you to
twelve pyramids of light.
I am here to tell you
a story of 12 pyramids
that came through that
which you call the
dark void to enter this
physical world and create
a physical reality
in which souls can experience.
At the time of
my writings these 12 pyramids
stood on the
Earth plane placed there by design.
Though
each pyramid may appear to the human eye
to
look like the others  be certain that each one
is
unique in frequency and purpose.
Within
each of the 12 pyramids were 3
entities for a
total of 36 creational forces.
And these 36
forces set down upon the Earth
life forms of
different shapes and designs.
They used
energies of light and
the tones of crystals to
create.
When the 36 were complete they left the
surface of the
planet in their pyramids and
remained outside of the
physical planet where
they created a grid system
which linked
together all things on and off the planet.
This was in the form of a matrix, web.
At
that time, I, Thoth, who would be a scribe
an
teacher within the matrix, came to this
place and
wrote this book for you to find at
this time.
Within the book are your keys.
A
great pyramid was built by my design on the
surface of the planet.
It would be a duplicate
of that which is above and would link to it.
And I would come through this pyramid many
times in many forms,
to guide and teach the
souls who would come to this place.
Your coming
here has unlocked the door for
those who were
the priests and priestesses of
a time once
entered in the story of humanity.
We shall now
journey to the first
of 12 pyramids that waits
beyond this
reality yet holds its creation in
place. 
The mathematician credited with the discovery of
this series is Leonardo Pisano Fibonacci and there is a
publication devoted to disseminating information about
its unique mathematical properties, The Fibonacci
Quarterly, a Sacred Geometry.
Fibonacci ratios appear in the ratio of the number of
spiral arms in daisies, in the chronology of rabbit
populations, in the sequence of leaf patterns as they
twist around a branch, and a myriad of places in nature
where selfgenerating patterns are in effect. The
sequence is the rational progression towards the
irrational number embodied in the quintessential golden
ratio, sacred geometry. This most aesthetically pleasing
proportion, phi, has been utilized by numerous artists
since (and probably before!) the construction of the
Great Pyramid. As scholars and artists of eras gone by
discovered (such as Leonardo da Vinci, Plato , &
Pythagoras), the intentional use of these natural
proportions in art of various forms expands our sense of
beauty, balance & harmony to optimal effect.
Leonardo da Vinci used the Golden Ratio in his painting
of The Last Supper in both the overall composition
(three vertical Golden Rectangles, and a decagon (which
contains the golden ratio) for alignment of the central
figure of Jesus. The outline of the Parthenon at the
Acropolis near Athens, Greece is enclosed by a Golden
Rectangle by design, sacred geometry.
The Square Root of 3 and the Vesica Piscis
The Vesica Piscis is formed by the intersection of
two circles or spheres whose centers exactly touch. This
symbolic intersection represents the "common ground",
"shared vision" or "mutual understanding" between equal
individuals. The shape of the human eye itself is a
Vesica Piscis. The spiritual significance of "seeing eye
to eye" to the "mirror of the soul" was highly regarded
by numerous Renaissance artists who used this form
extensively in art and architecture. The ratio of the
axes of the form is the square root of 3, which alludes
to the deepest nature of the triune which cannot be
adequately expressed by rational language alone, sacred
geometry.
Spirals
This spiral generated by a recursive nest of Golden
Triangles (triangles with relative side lengths of 1,
phi and phi) is the classic shape of the Chambered
Nautilus shell. The creature building this shell uses
the same proportions for each expanded chamber that is
added; growth follows a law which is everywhere the
same. The outer triangle is the same as one of the five
"arms" of the pentagonal graphic above.
Toroids
Rotating a circle about a line tangent to it creates
a torus, which is similar to a donut shape where the
center exactly touches all the "rotated circles." The
surface of the torus can be covered with 7 distinct
areas, all of which touch each other; an example of the
classic "map problem" where one tries to find a map
where the least number of unique colors are needed. In
this 3dimensional case, 7 colors are needed, meaning
that the torus has a high degree of "communication"
across its surface. The image shown is a "birdseye"
view, sacred geometry.
Dimensionality
The progression
from point (0dimensional) to line (1dimensional) to
plane (2dimensional) to space (3dimensional) and
beyond leads us to the question  if mapping from higher
order dimensions to lower ones loses vital information
(as we can readily observe with optical illusions
resulting from third to second dimensional mapping),
does our "fixation" with a 3dimensional space introduce
crucial distortions in our view of reality that a
higherdimensional perspective would not lead us to?
Fractals and Recursive
geometries
There is a wealth of good literature on this subject;
it's always fascinating how nature propagates the same
essence regardless of the magnitude of its
expression...our spirit is spaceless yet can manifest
aspects of its individuality at any scale, sacred
geometry.
Perfect Right Triangles
The 3/4/5, 5/12/13 and 7/24/25 triangles are examples
of right triangles whose sides are whole numbers. The
graphic above contains several of each of these
triangles. The 3/4/5 triangle is contained within the
socalled "King's Chamber" of the Great Pyramid, along
with the 2/3/root5 and 5/root5/2root5 triangles,
utilizing the various diagonals and sides, sacred
geometry.
Here are LOTS of math details and images of the
Platonic Solids and Archimedean Solids
The Platonic Solids
The 5 Platonic solids (Tetrahedron, Cube or
(Hexahedron), Octahedron, Dodecahedron &
Icosahedron) are ideal, primal models of crystal
patterns that occur throughout the world of minerals in
countless variations. These are the only five regular
polyhedra, that is, the only five solids made from the
same equilateral, equiangular polygons. To the Greeks,
these solids symbolized fire, earth, air, spirit (or
ether) and water respectively. The cube and octahedron
are duals, meaning that one can be created by connecting
the midpoints of the faces of the other. The icosahedron
and dodecahedron are also duals of each other, and three
mutually perpendicular, mutually bisecting golden
rectangles can be drawn connecting their vertices and
midpoints, respectively. The tetrahedron is a dual to
itself, sacred geometry.
The Archimedean Solids
There are 13 Archimedean solids, each of which are
composed of two or more different regular polygons.
Interestingly, 5 (Platonic) and 13 (Archimedean) are
both Fibonacci numbers, and 5, 12 and 13 form a perfect
right triangle, sacred geometry.
Stellations of The Platonic & Archimedean
Solids
This is a stellation of a dodecahedron where each
pentagonal face is capped with a pentagonal pyramid
composed of 5 golden triangles, a sort of 3dimensional
5pointed star.
Metatron's Cube
Metatron's Cube contains 2dimensional images of the
Platonic Solids (as shown above) and many other primal
forms.
The Flower of Life
Indelibly etched on the walls of temple of the
Osirion at Abydos, Egypt, the Flower of Life contains a
vast Akashic system of information, including templates
for the five Platonic Solids. The background graphic for
this page is a repetitive hexagonal grid based on the
Flower of Life, sacred geometry. For further information
on the Flower of Life, check out the material from Gregg
Braden and Drunvalo Melchizedek.
Final note: The universe is created by a consciousness
which manifests in physical reality through a geometric
blueprint that we call Sacred Geometry which repeats
over and over giving the illusion of linear
time. 